Winters in Sweden are supposed to be cold; nothing strange there. But this winter it wasn’t really cold. I’m not familiar with what the data have to show in order to define a winter as being mild but I’m confident that if you have have only three or four frosts between November and February, no snow at all and birds that normally migrate to warmer climes are lined up on the fence at the end of the garden watching you debate whether you should bother waxing the cross-country skis or not, then it’s reasonable to describe the winter as ‘mild’. Additionally, almost continuously overcast skies, frequent drizzle and the shortest of dark, grey days had us very close to understanding why Sweden began limiting access to alcohol more than 150 years ago.
After suffering since November – metaphorically speaking of course, given necessary interruptions to share some glögg, attend Christmas lunches and participate at an occasional cocktail party [one of which included the joyous escapism of a concert by the host’s acapella sextet] – we felt a dire need for clear skies and bright sunshine. Somewhere ahead of us a trip to Dubai and Oman was waiting for a confirmed schedule so we decided on an expedient; we’d drive to UK, leave the car there while we went to the Middle East and on our return take a leisurely meander through Europe, stay with friends in Berlin en route and end up here in Sweden at Easter.
The Grand Plan – drifting through sunny Spring weather, sampling local comestibles, staying in enchanting guest houses that we would absolutely return to – was extremely attractive and we were discussing options long before we agreed dates and confirmed flights with people in Dubai.
Meanwhile, somewhere in the background a story was developing about an outbreak of something nasty in China, in a place in called Wuhan. Initially, the descriptions of the wet market and the already well-documented exploitation of wildlife concerned me more than the increasingly alarming human death toll but, having escaped Sweden’s continuing non-winter and with the prospect of sunshine at last, we departed Europe.
In short time the Grand Plan collapsed as the anticipated sedate drive transformed into a bleary-eyed overnight dash following a rapid exit from Dubai. Last week saw the start of a period of self-isolation that appears to be heading for September at least.
So I’m now locked down in southern Sweden, avoiding people, wearing gloves to the shops and making the best of virtual cocktail-hours on WhatsApp and Zoom. This is the story.
Sometime during the year I lost sight of the schedule. After moving and taking time to draw breath we were sufficiently organised to find a way of moving around the diminishing towers of unpacked boxes and leave for a while; we were set for travelling. All it needed was a modicum of organisation in order that the few fixed points punctuating the calendar dovetailed neatly into any plans that developed. We had to be at the wedding of course – a grand weekend affair at an English country house could not be missed – and I had to vote in the Brexit referendum, which required some time in Cambridge even if I made a postal vote. There was a birthday gathering in Thailand and a short trip to Dubai. Those apart, it looked like there would be plenty of time to fit in some spontaneous peregrination.
It would take just a little planning and a few simple decisions. Simple, that is, until Sweden presented something that we hadn’t accounted for – a long, hot summer. It’s difficult to describe the effect of summer on a nation that lives half the year in dark, cold winter. As soon as the sun peers over the horizon Netflix and jam-making are discarded for al fresco dining in what are still single-digit temperatures; fallen leaves are swept from patios with gusto; excited chatter echoes over garden hedges and the air fills with the aroma of barbecue lighter. In the streets and supermarkets those long Scandinavian shorts appear – the ones with tie-strings, utility buckles and pockets on the knees – and on the beaches people huddle behind windswept dunes while their blond-haired children frolic in the bone-chilling water. But in 2016 it was different. Above average temperatures and long, sunny days made it feel just like the Med and you didn’t need a fleece blanket if you sat out in the evening.
Sweden’s summer can be a hard mistress but she does provide the perfect excuse for fleeing to warmer climes. But as the warm spell lengthened from days to weeks and then months there was little need and no justification in leaving. In fact, those arrangements that we had made were appearing more inconvenient as the year sweltered on and it became galling to leave the hammock. We swam in tepid water until early October and started a re-reading exercise as the summer’s supply of essential books was exhausted. It was too hot on some days to do more than lie in the shade with a cool drink.
I left the blogosphere inside with my tablet and just let the summer sweep me along whilst ensuring, in the interests of tradition, that the legacy of James Pimm was upheld and the fortunes of Tanqueray maintained. And as a measure of catching up, a few posts covering some aspects of my 2016 carbon footprint follow this.
Dubai has an undefinable quality; it can amaze and depress; enlighten and shock but never, I’ve found after many years living there, leave one unmoved. You can love it or hate it in equal measure and, sometimes, endure both emotions simultaneously. When I received a request a few days ago for a copy of my passport my initial reaction was of disinterest but it quickly changed as I learned that ‘they’ were requesting an update because my passport had expired. ‘They’ are not the police or the immigration authority or any other quasi-governmental body. ‘They’, in fact, are the inept leisure division of a crap developer that issues access passes to the beach.
Dubai has a wearying reliance on bureaucracy and I suspect it may have cornered the world market in rubber stamps. At every turn, it seems, a document is required from individuals who are at once detached, uninterested or, frequently, merely absent. You need a stamped and signed piece of paper for just about everything in Dubai whether it’s bringing in your piano, buying a bottle of wine or shopping for a local SIM card. And you have to provide a copy of your passport to get it. I once estimated that I have probably provided over two hundred and fifty copies in exchange for passes, approvals, authorisations or, that singular invention – the ‘no objection certificate’. So there must be literally millions of passport copies floating around the Emirate and where they all go is one of the great Mysteries of the Universe. In an endless danse macabre passport copies are stamped, signed, stapled and – well, from that point on I have no clue. They just disappear after they’ve been taken so if you visit two desks in one organisation the second desk will have no knowledge of your passport existing. A further copy will be demanded and if you are unfortunate enough to be sent back to the first desk – the usual procedure when five administrators are tasked with doing the work of one – they won’t be able to find the first copy and you’ll have to copy it again. Next day all three copies will have disappeared so it’s likely you’ll have to start all over again. Where do all those copies go?
The process is numbing and takes time but if you want the freedom to run child-like through sunshine in a landscape of tax-free salaries as you seek consumer Nirvana, developing patience and a personality that provides for circumspection become essential because in Dubai most things eventually get done and most things work. For individuals like me, with little or no patience, an administrative foray can be a very bumpy one but at least I’ve grown out of banging tables and demanding to know where all the copies go. That question, always greeted with a smile, is never really answered because no one really knows; it’s just a requirement, you know, to make the copy, stamp it and sign it. It has occurred to me that there is perhaps a secretive government department going around in the dead of night, cruising silently in unmarked vehicles and collecting copies of passports. But that would be silly, wouldn’t it?
Dubai’s idiosyncrasies often defy analysis, inducing an impassioned response. But then, with eye-watering speed, perception can be turned on its head and one is lost in all the things that Condé Nast Traveller and the Sunday Times tell us it is. Last year, while my mind was on packing cases and contract exchanges, the gourmet tower at Dubai Marina was completed. Now renamed Pier 7 it is a circular building linked to the Marina Mall and with a single themed restaurant on each level. The views over the marina are spectacular and, at night, even cynical travellers like me can’t help but be impressed. Dinner or drinks in balmy air on an open-sided terrace high over the water has to be one of Dubai’s most striking experiences. And in another example of the city state stretching a visitor’s sensibilities to extremes, an extension to the already gargantuan Mall of the Emirates has opened. Of course that delivered yet more restaurants as well as a vastly expanded Vox cinema complex. Our old favourite, Gold Class – with its wide seats and Coca-cola on call – was gone. In its place was a cinema restaurant experience called ‘thEATre by Gary Rhodes’. This puts watching a movie with a tub of popcorn to shame. If you like your food and reclining sofas ‘juste pour deux’, semi-private viewing-rooms, a waiter on hand when you need a drink or snack or just like spending a couple of hours watching a movie the way Donald Trump probably does, then this is for you. Dubai’s apparently endless capability to knock your socks off has left me non-plussed once again.
My Passport, by the way, was copied several times when I was in Dubai a few weeks ago and is valid for another seven years.
Over the years we’ve been to some celebrated concerts at a country house not far from where we live in England; they are held in the park during the summer on the gently sloping lawns above restored Jacobean gardens. It’s a well-tried formula – a good Pinot, picnic snacks, portable camping chairs and umbrellas; sit back, enjoy the music, get a little mellow. Well, that’s the plan but if I’m honest it really only worked out like that for us once. Mostly it has been cold and dull and twice it rained so heavily that we chucked it in, wet through to our underwear, before the concert started.
I’m not the best supporter of summer concerts – if plans are being hatched my preparations centre on the logistics of managing waterproofs, rubber boots and sufficient weather protection to see that drinks remain hot and food dry. Not so Mission Control, who is optimistic to the point of distraction. Her approach involves chilling wine, selecting an appropriate table setting and choosing which open sandals to wear. You’d have thought by now she knew that it always rains at outdoor concerts and as for me, my days of believing that wet feet are a prerequisite of musical appreciation have gone the way of my kipper ties.
As summer reached its height and it really began to look as if you could plan an outdoor event more than 24 hours in advance the summer open-air concert agenda became a topic of conversation. I was immediately faced with a dilemma. From a point somewhere back in the seventies I have been a fan of Abba although I wouldn’t have admitted that before Mama Mia! took off. The success of the show and movie together with near-universal appreciation of the music has made it more or less acceptable to ‘fess up to a fondness for badly-rhyming lyrics and a chequered sartorial history that included stacked shoes and flared trousers. In Sweden Abba are something more than national icons, perhaps because they seem so normal and, in a manner that is intrinsically Swedish, anti-celebrity. Mission Control exchanged a few words with Björn Ulvaeus as he was loading beer into his car in Stockholm once and another time, in a traffic jam outside the city, Anni-Frid Lynstad was stationary right alongside me and smiled and waved as I recognised her. Such humility, although I secretly wished it had been Agnetha Fältskog. [That’s the blond one.]
Benny Andersson appears these days with a motley band of troubadours known collectively as Benny Andersson’s Orkester – BAO for short – and with them two vocalists; Helen Sjöholm and Tommy Körberg. The music they play is unashamedly popular and appeals to audiences, shall we say, of a mature and genteel disposition. It’s immensely popular – one song stayed in the charts for 278 weeks – but that disguises the fact that he’s a strong advocate for traditional folk music. For several reasons, but mostly because I like that they enjoy playing so much, I’ve been keen to see them for some time but our travel schedule and the brevity of their concert tour in Sweden – they play eight or so concerts a year – have minimised my chances. Added to that, most venues are a long way from where we stay and by the time we hear about a concert all the tickets are long gone. Frustrating, but what could you do? The concerts are in the open air and I’d expect it to rain anyway.
And there was my dilemma; BAO were to play an open-air concert just up the road in Helsingborg and the weather was just about guaranteed to be good. No reason not to go, really – aside from the fact that it had been sold out for nine months. Would I rethink my aversion to open-air concerts, Mission Control asked?
I can’t recall if I did agree to soften my attitude but, a few days later and in blazing sunshine, I was at the VIP guest entrance at Sofiero Slott, chairs under one arm, a chilled Orvieto and an excellent picnic under the other. Quite how Mission Control managed to place us just below the stage and ahead of a few thousand people, some of whom had been queuing all day with tickets they had purchased months before, is a secret I’m asked not to divulge but there we were and there was Benny. Doing what he does best and smiling for the camera.
A bucket-list box ticked and how about that – it didn’t rain.
March in England was the coldest since 1962 and the second coldest since records began so April’s first warm, sunny days were very welcome. Ann and Lars were over from Denmark and even though it was still too cold to sit outside in comfort a visit to the east coast and the West Mersea Oyster Bar enabled us say thanks and goodbye to the native oyster season. This is becoming a tradition for Mission Control and me; the oysters are matchless and the fish and chips pretty good too, especially after a bracing walk along the Mersea seawall or beside the Blackwater.
I like traditions and believe they can have great value even if, in some respects, we’ve lost sight of what we are celebrating. Mark Twain reflected on it in The Adventures of Tom Sawyer when he wrote “The less there is to justify a traditional custom, the harder it is to get rid of it” and so it appears in real life. In Sweden traditions are important; anything that attracts more than three people becomes a celebration and any celebration that’s repeated becomes a tradition. As a consequence, the calendar overflows with them and, not content with those they have, more are being added. We find our travel is often framed around one particular gathering or another.
We never miss Fettisdagen – Fat Tuesday – at the start of lent, where the tradition is celebrated with fastlagsbulle or semla – delicious buns filled with cream and almond paste. Shrove Tuesday or Mardi Gras is an old tradition with roots in the Middle Ages. It gets a ‘thumbs-up’ from me on the merits of these scrummy little treats alone but at the other end of the dental cavity scale the new kid on the block is Kanelbullens dag. This piece of nonsense, which was started in 1999, is a tribute to the cinnamon bun and while accepting that it’s a staple of any coffee morning in Sweden I wonder if it really justifies its own web page. In between Valborgsmässoafton, when the evil spirits are driven out and fertility is invoked with bonfires, singing and drinking and Kräftskiva, when we eat crayfish, sing more songs and get hideously drunk, bookend Midsommarafton, the most celebrated of Swedish traditions.
April’s weather was fine but cool although summer really started for us on 1 May, where the tradition of heralding the arrival of long, light evenings, deserted offices and phones switched to voice-mail, needs a bonfire. So a few days after the oyster season closed we were in Sweden celebrating Valborg or Walpurgis Night, as it’s known in England. The village turns out to light an enormous and – it has to be said – dangerous fire, sing folk songs and offer a few prayers for a plentiful bounty in the coming year. Actually, warding-off evil spirits and invoking fertility come a poor second to alcohol on these occasions so we were inside drinking elderberry flower and gin cocktails long before there was any danger of having to deal with first-degree burns. The singing – as always – was led by our local patriarch Henry Ekelund, who has been warding-off evil spirits since he was born in the village over ninety years ago. It was clear and cold that evening; perfect for our fire but a night of contrasts. I recall hearing the first nightingale of the summer and seeing Henry’s wife, our beloved Signe, for the last time; she passed away shortly after.
My Swedish is little better than my knowledge of brain surgery but every year they give me song-sheets and every year I stumble through lyrics about buds bursting into leaf that I don’t quite understand while trying to carry tunes I don’t really know. The important thing, of course, is being there, sharing the occasion and contributing to the friendship and community spirit that pervades the evening. I’ve found it helps if you can hold your drink, too, so I practice at every opportunity. Rejoicing in the invention of the cinnamon bun seems a little silly by comparison.
Spring and early summer in Sweden can be a mixed blessing. Time spent in the wide open spaces and lengthening days are often tempered with a chill in the air. May was cold but with clearer weather, on balance, than in England so we ended up spending most of the month there, indulging ourselves in the richness of Sweden coming to life, anticipating a warm June and looking forward to the next celebration.
As a measure of how important the return of the long, light days are midsummer’s day was at one point considered a candidate for National Day. It’s always a very social occasion but dancing around the maypole, singing traditional songs and holding hands with people you’re normally only on nodding terms with doesn’t come easily to a bloke from London’s east end. Prodigious amounts of alcohol can be consumed but tales of drunken abandon and debauchery tend to mythologise a national treasure and are not entirely true. That being said, anyone with a modicum of concern for their liver will avoid the traditional celebration of Midsommarafton. Anecdotes involving alcohol tend to define the occasion, the essence of which was captured perfectly in Ikea’s German TV ad. It was banned on the grounds of implying inappropriate rectitude but, that aside, most celebrations are far less riotous. Nonetheless, each of Sweden’s traditions is observed with great seriousness.
As a foreigner I’m very happy to go with the flow but somehow, though, I don’t think I’ll ever get the hang of that singing.
Sitting here looking out at the rain I still hold autumn as the season I enjoy most and anticipate its misty, scented days with enthusiasm. That doesn’t mean I wish the warmer weather away but it was only a short time ago, when someone asked me if I’d had a ‘good summer’, that it occurred to me the salad days were over. We were still basking in above-average temperatures then but further south in Europe last week I watched the year’s first snow appear on mountain tops and here, in southern Sweden, we had our first frost.
The summer of 2013 was, indeed, a good one but the manner in which we’ll remember it intrigues me; do we remember the sunny days and balmy evenings that the ‘best summer for seven years’ brought us or do we recall the events and occasions that collectively make a summer memorable? I can remember only one day this year when rain stopped play, but not that it was the best summer for ages; I recall the absence of yearning to get away and feel the sun on my face and also that the months between April and September were filled with being outside, enjoying long lunches in the garden and spending time in the countryside. So, yes, it was a good summer.
Because it was so pleasant and because we weren’t victims of sudden climatic depressions my travel was limited to what has become a pretty routine commute between Sweden and England. As sunny day followed sunny day from about May onward there was no desire to search abroad for a cool drink in dappled shade when it could be found at home. It seems, however, that many people felt the same way. Despite having made early plans to escape England’s normally disappointing weather holidaymakers began cancelling paid-for trips to warmer climes as an unusually high number of ‘medical’ emergencies occurred. The temperature soared; with it the annual pilgrimage to the beaches and Irish pubs of the Mediterranean diminished and insurance firms found they were dealing with an increasing level of ‘hot weather’ fraud.
Well, I guess you could blame the heat. People do funny things when they get hot but did the grave words from the superfluity of experts on You and Yours and The World at One contribute to all those claims? In order to avoid the dire consequences of the hot spell we were advised to listen to level three heat wave alerts on the radio, stay inside and – here’s the key – avoid unnecessary travel. We were also advised to draw the curtains and shade the room but I’m thinking that part went unheeded as most of the Nation was either lying on their backs in the garden or standing outside the pub with a pint.
I admit to having had one or two at the Axe and Compasses in Arkesden myself [both outside and inside] but as far as remembering the summer is concerned, it was certainly more about memorable occasions and less about a statistically high level of sunshine. And for the record, some aspects of these together with a few random thoughts, are set out in the following posts.
Thanks to the good guys at Photobots [find them here] and for the kind comments sent to me. I guess next time I should provide an image that hasn’t been altered but anyway, here’s the sparrowhawk again.
Anyone who’s spent any time on the roads there will know that traffic in India is an absolute nightmare. Road discipline is patchy at best and the application of basic common sense breathtakingly absent; vehicles hurtle into blind bends or career towards each other in hoards down the centre of bumpy, narrow and fragmenting roads before lurching aside only to avoid a collision. For the remainder of the time they are, well, anywhere on the road but most frequently in the oncoming lane. Drivers continually sound their horns while ignoring road signs, line markings and speed limits; more worryingly, received knowledge is that any obstacles in the way – be they cows, people, cycles, carts or other vehicles – must be either ignored or passed, depending on what speed they are moving at. Crowds of pedestrians spill out into the roads due to badly parked vehicles and rubble-strewn verges, vying for space with innumerable ‘two-wheelers’ and seemingly suicidal truck and bus drivers – especially those ferrying pilgrims.
And most numerous of all, the ubiquitous auto-rickshaws – ‘tuk-tuks’ – weave in and out of the traffic trailing clouds of blue smoke and constantly tooting their horns to generate a of noise and chaos. Put simply; it’s bedlam. There are rules, of course, but as they are ignored with single-minded thoroughness by everyone, including the police, foreigners require a car and driver if they aren’t up for any of the public transport options that the sub-continent offers. And anyway, my days of sitting three to a seat with people that don’t use underwear were over years ago.
In Kerala this week we left the relative safety [and luxury] of the delightful and highly recommended surroundings of the Raviz for a few days in the forests of the Western Ghats, a mountainous region away from the humid coastal plain. Our driver, supplied by the genuinely helpful people at the hotel, was selected, I’m guessing, for his command of English rather than his ability to coordinate hand and eye movements but we didn’t know that at the time. Smiling and positive in the hotel coffee lounge where we were introduced, he readily agreed that our journey of some 160km would be a benign but wondrous adventure, punctuated with invaluable local knowledge, pearls of cultural insight and occasional roadside stops for fresh pineapple juice or opportunities to snap shimmering vistas. To each of my questions he smilingly replied, ‘no problem, Sir! I should have known better.
As we set off I asked him if he was clear about the journey, the route we’d take and so on – the kind of amiable banter that one enters into in order to bond with someone who will, after all, be an enforced travel companion for the next four or five hours. His response was to gaze serenely into the middle distance, raise a finger in assertion, and, with a gentle shake of his head, reply, ‘God will take us there’. That, I believe, and the accompanying whimsical smile, was meant to reassure us but my faith in divine intervention, frail at the best of times, had evaporated with the fumbling gear changes and sudden braking. A brief shadow of alarm passed over Mission Control’s face and, as our little car meandered erratically across the tarmac I was advised in the most unambiguous terms that I was expected to wrestle control of the vehicle from him in the event of a confrontation with a truck, overloaded two-wheeler or washed-out road.
From previous experience I know that driving in India can be somewhat eccentric and I’m not a nervous passenger but I was already fighting the urge to grab the wheel and drag the car back onto our side of the road, especially after a bus full of shrieking worshippers avoided us by so narrow a margin that the car was filled with an intoxicating aroma of incense, garlic and body-odour. Interspersed with changes in velocity and sudden lurches, our progress became increasingly hesitant and he clearly sensed something in my tone when I asked if he actually knew the way, especially after he’d stopped and engaged in animated conversations with several taxi drivers, a shopkeeper and, at one point, a cyclist who pointed back in the direction we’d come.
At that point the road was climbing through 2000m on hairpin bends alongside precipitous drops into forested ravines. We should have been about 15km from our destination and less than an hour from the hotel but we passed a road sign that informed us we still had over 60km to go – two hours at least. Rather than invoke a spiritual solution in the face of my polite irritation our driver, clear now that my patience had gone the way of the setting sun, merely refused to answer me when I asked where the hell we were and when the hell we’d reach the hotel. I clearly wouldn’t take silence for an answer and my persistence eventually elicited a slow, deep breath and the adoption of an appropriately formal tone before he replied with dignified resignation, ‘I have no absolutely no idea, sir.’ This was surprisingly disarming and took us both aback as this is the last thing you’d expect your driver to say when you are high in the mountains of a foreign land with darkness closing in and an unknown distance still to cover. After all, that was the only reason he was there.
Well, we eventually arrived and it was dark, some two hours later than planned and a mysteriously unaccounted-for 75km extra on the journey.
The Ministry of Road Transport and Highways in India tells us in its latest statistical report [for 2011] that 140000 people were killed in road accidents during the year [cows, dogs and elephants are not mentioned] as the consequence of ‘one road accident every minute, and one road accident death in less than four minutes’. It also lists the causes of fatal accidents and, while acknowledging that the majority of these are due to the fault of the driver, a significant number – I calculate that to be around 20% – is due to other related causes that include issues with passengers.
I can’t find the data but I suspect a great many of these involve the driver being murdered.
A swaggering confidence surrounds us in Dubai; the hotels are full and traffic is once again forming long, impatient queues at intersections. They have even extended the Palm Jumeirah to make another building site. Slicked individuals with tottering, spike-heeled companions once again scent money in the air while in the background the evils of greed and self-interest are beginning to stir after the brief hiatus of global financial collapse. As 24-hour construction activity recommences and piles are driven throughout the night the crash of 2008 is being spoken of as a momentary blip in the progress of this phenomenal and fabulous city-state.
A few evenings ago we were at the opening of Design Days, a part of the Dubai Culture initiative whose patron is the Crown Prince. He was there, actually – but very briefly. The reception was set against a backdrop of the Burj Khalifa, with the shiny towers, lights, fountains and music of Downtown Dubai combining to produce a venue that is both opulent and impressive. Regardless of what one might think about the moral character of this place – and anyone who has read earlier posts will know that I sometimes have something to say about that – today’s Dubai is quite fantastic and developing the ambience of a major international city.
Dubai, embarking this week on the annual culture fest of Art Dubai, is of the moment and very much a place to see, drawbacks aside. But hard on the heels of the upturn and the irrepressible feeling of ‘we’re back!’ comes a familiar and odorous occupation – flipping. This is where high art flourishes because the denizens of Dubai have turned this distasteful practice into their very own version of it. Houses and apartments in projects that are nothing more than notions in computer generated imagery have been purchased before the construction has started with the clear expectation that they can be sold on at a profit as inflation jacks up the prices. That, in turn, is driving costs and rents higher and tenants are once again being pressurised into leaving accommodation so that unscrupulous landlords can install a higher-paying incumbent. The renting laws have been amended to afford some protection against this but in a land that is over-regulated and under-legislated money still rules so, in reality, nothing has really changed since 2008.
Cultural events like Design Days struggle to be anything other than passing entertainment [and a further opportunity to wear those shoes, of course] and in a place that has its mind on money most of the time they are soon forgotten as the next takes over the interest of the media. Reviewing the opening next day on ‘Dubai Eye’, the nearest thing Dubai has to a ‘serious’ radio station, the presenter was asked to recall what impressed him most. His answer was the Audi 7 that was placed, courtesy of a sponsor, at the rear of the exhibition. Astoundingly, nothing relating to the exhibits or artists was mentioned in the programme and that, in many ways, is Dubai in a nutshell.
I found several of the exhibits original, many innovative and all of some merit. In particular, the stainless and Core-10 steelwork of Helidon Xhixha was beautifully executed, an engaging and temporary installation by Andrea Mancuso and Emilia Serra was very original and kinetic pieces by Frederik Molenschot, Ritchie Riediger and Humans Since 1982 had huge potential.
Maybe to fully appreciate Dubai you don’t need to know about art, you just need to know what you like.
It’s always fascinating being back in Dubai; the pace of life here is fast and changes mount up at an extraordinary rate so I’m always forced to spend my first few days scanning the horizon for new towers, making certain our favourite restaurants haven’t been replaced and asking the same old questions of why anyone with a modicum of commercial acumen would open a shop that sells only decorative dried fruit and flower petals.
We’ve been sandwiched between the Islamic New Year holiday and the 41st National Day celebrations – JLo has just strutted her stuff and we are enduring the world skydiving championships, which will be warbled to a close by Katy Perry. Dubai is feeling good about itself if a bit too glitzy but thankfully, from a personal point of view at least, we have an evening with Al Jarreau later this week.
The Government has just confirmed that the recession is over – officially. A new city is to be built on the outskirts that will include just what Dubai needs – the biggest shopping mall on the planet; Universal Studios will headline a new leisure park and the Dubai Mall, currently the biggest mall on the planet, will be expanded. No one in this den of iniquity needs further encouragement; new villa projects are being purchased off-plan within 48 hours in a repeat of the mayhem we experienced in 2008 and a planned extension to an estate called Arabian Ranches is already 80% sold. That’s before a put-upon labourer from Kerala has even stuck a shovel in the ground.
How times move on. Back in the day it was pleasant to return to a country that hadn’t changed while you were away and where consistency was held as a virtue. Life was filled with the same old friends and the same old haunts and there existed a reassuring sameness. These days I experience an increasingly pervasive feeling that most people alongside me in the queue at the traffic lights are simply mad or three-quarters of the way to it.
A popular song then was Back in Dubai, sung by a guy called Sal Davies. On one occasion after returning from London I was at dinner in the Dubai Country Club, where he was playing. What I didn’t know was that my friend and host, a significant Pakistani businessman, was an old friend of Sal. After starting his set he moved on to tell the audience that he’d had a request for an old favourite and, as the lights went down the spotlight came up on our table, and Back in Dubai was sung to us as I wriggled uneasily in excruciating embarrassment. The tune isn’t memorable for much more than that evening at the Country Club, but as I hear about another US$1 trillion being committed to new projects I get a little nostalgic and miss the way it used to be. Here’s Sal in a recording made a few years later.